
Private Internal Troops Andrei Ivin is a security guard in a strict regime zone. He is absolutely not adapted to military service, a typical humanist who left the historical and archival institute. One summer, he stands at night on duty on the tower. A recidivist nicknamed Mishka Knyaz escapes. Private Ivin could not shoot him, and he was forced to go under the tribunal himself. In an explanatory note, he writes that he "refuses to continue to dispose of someone else's life." Under the supervision of the company commander Narotiev, he is sent to the disbat. Senior Lieutenant Narotiev is almost the same age as Ivin. It's hard for him to believe that the private is telling the truth. In his opinion, the soldier was simply at a loss, giving evidence, and fell asleep at the post, or, perhaps, chickened out.
Directed by Igor Chernitskiy, Ivin A. leans on a strong ensemble — Aleksandr Peskov, Igor Chernitskiy, Evgeniy Pashin — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1990.
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After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
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