
A story about metaphor, exploring metaphor rather than a naturalistic or contemporary narrative, avoiding the discursive. It's not difficult to find the parallel between what happens and what actually happened: a family (us as a society) protected by a violent drunk (the government at the time), his wife and son, naked victims of their father's violence and impotence. The well-meaning bourgeois family (the cultural empire of good manners) seems to be restoring order when, in the face of such a situation, what they're actually doing is appropriating what they need under the guise of imperialist civilization. Reading it merely as a vampire story reaffirms this metaphor: out of our ignorance, we despise what conquers us, only for it to conquer us again without hesitation, with morality and good manners on its side.
Directed by Adrián Caetano, Teoría sobre las colonias leans on a strong ensemble — Juan Minujín, Paola Krum, Daniel Valenzuela — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2014.
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