
When a woman fed-up with life in general commits suicide, what's left ? In the same vein, a lover, a mother, a friend, a few buddies, all orphans, all well-to-do, but mainly lost at sea without a ship. The lover : Paul, a lone wolf who tries to escape from his memories through drink or by chasing women as though they were the cure to everything. The best friend : Lucie, coming and going, suitcase in hand , as though she were carrying a corpse or a time bomb, ready to flee at the drop of a hat with her suitcase of course. The mother : Marthe. Between shovel and incinerator, she counts her dead, cat and husband included. And then, there is Lucien, madly running after Lucie, screeching guitar in hand. And the others, always running.
Directed by Christine Citti, Rupture(s) leans on a strong ensemble — Emmanuelle Béart, Michel Piccoli, Nada Strancar — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1993.
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From the Atlantic to the Black Sea, Mathias and Philippe, two old friends, embark on a bicycle journey that Mathias’s son made before his tragic death. The two men ride through the ordeals with tenderness, humor and emotion.
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