
Roberto separates from his wife and needs a place to stay. When he moves in with gay Marcelo, he is clueless about Marcello's sexuality and the two become close friends. One night after many drinks Roberto has sex with Marcelo and must confront his feelings and the potential ridicule of his family.
Directed by Enrique Dawi, Adiós, Roberto leans on a strong ensemble — Carlos Calvo, Víctor Laplace, Héctor Alterio — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about romance titles of 1985.
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In the late 1990s, the arrival of elderly invalid Patrick into Marion and Tom’s home triggers the exploration of seismic events from 40 years previous: the passionate relationship between Tom and Patrick at a time when homosexuality was illegal.
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