
Chutes de Lacrima Christi is an 95‑minute experimental collage film assembled entirely from unused outtakes of Teo Hernández’s earlier work Lacrima Christi. Co‑created with Gaël Badaud between 1979 and 1980, it repurposes discarded Super 8 color footage into a series of non‑linear vignettes that fuse Christian myth with everyday imagery. Using the “chute” technique—physically gluing scraps of film into new sequences—the film explores the meeting of two cultures, Europe and America, and reveals dreamlike resonances in mundane moments. By reframing offcuts from the Passion tetralogy, Hernández invites viewers to discover hidden narratives and poetic meaning in material that was originally deemed surplus.
Directed by Teo Hernández, Chutes de Lacrima Christi leans on a strong ensemble — Michel Nedjar, Jakobois, Pascal Martin — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1984.
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