
Best known as the cult creator of the animated web series Salad Fingers (SUFF 2007) David Firth creates morbidly fascinating worlds that delve deep into the darkest recesses of the human psyche. It’s fair to say that once you lay eyes on his shorts, it’s hard to shake their visceral effect in a hurry. Eleven years after first screening his work at SUFF, Umbilical World represents a curation of Firth’s most popular shorts to date, each bookended by brand new transitional animations. Using surrealist techniques to explore depression and mental illness with some of the darkest humour this side of the twenty-first century (his work has been featured on Charlie Brooker’s Screenwipe and Mitchell & Webb), Firth has become one of the world’s most significant, independent animators. Umbilical World is a brain-melting celebration of Firth’s short but prized career — a dog-stew of animated fancies from the scabland toybox that is his mind.
Directed by David Firth, Umbilical World leans on a strong ensemble — David Firth — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about animation titles of 2018.
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