
In 1908, some Albanian pseudo-patriots form a club, claiming that they are working for the good of Albania. Each of them has a dream: to be famous and immortal. One of them is Dr. Adhamudhi, a self-proclaimed healer and linguist, who has created a new Albanian alphabet he is waiting to sell to Skëndo Bey, owner of the Thessaloniki Club. Thinking highly of himself, Adhamudhi wants to know what will people say about him after his death. Zeneli, the servant of Skëndo Bey, takes this chance and plays a joke on Adhamudhi's exhausting desire for fame and immortality.
Directed by Kujtim Çashku, Post Mortem leans on a strong ensemble — Kadri Roshi, Pavlina Mani, Robert Ndrenika — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1980.
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