
The love of a young woman, Dolorcitas (Ana Giner), descended from a less aristocratic family is disputed by her husband, an enterprising entrepreneur, Melchor Llorens (Leopoldo Pitarch), and by an old and young suitor, Daniel Soler (Ramón Sernequet), a young man with a cradle and a waste of family wealth. This one through the blackmail puts the name of the young woman in question. The festival of Moros y cristianos, in which both are captains, will serve to unmask the young man, save the girl's name and redo the happiness of his marriage.
Directed by Maximiliano Thous, Moors and Christians leans on a strong ensemble — Clara Artells, Júlio del Cerro, Anita Giner — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1926.
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