
Although the title (which translates as "Murders in Chicago") promises a gangster story, this is more of a murder mystery that kicks off with the seemingly accidental death of a construction worker, followed shortly after by that of a noted publisher (an uneasy-looking Eduardo Fajardo). What follows is a very confusing story in which the police, a police coroner (José Campos) and a vagrant (Fernando Sánchez Polack) who witnessed Fajardo's death embark on separate inquests on what actually happened. Meanwhile, June (María Luisa Rubio), who works as a secretary for the publishing company, is under pressure by a blackmailer (Antonio Jiménez Escribano) who has pictures of her in the sack with the deceased publisher.
Directed by José María Zabalza, Murders in Chicago leans on a strong ensemble — José Campos, José Truchado, Fernando Sánchez Polack — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about crime titles of 1969.
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