
The story revolves around the characters of Tess and Anatole. Barely of age, but not exactly adults, they still know nothing of love. Anatole sleeps wherever he is able while waiting for a stable job to come along, whereas Tess is about to start preparatory classes in Paris. They first meet in the surroundings of a port in decline, like a symbol of a country that is suffocating but which still has something to say. He has a tent, she has a car: together they will criss-cross the country’s roads and draw out the summer, to ensure they never forget.
Directed by Mathias Pardo, The Escapade leans on a strong ensemble — Joséphine Japy, Nekfeu, Rod Paradot — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2019.
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Mathieu lives in Paris, Alice in a small seaside resort in Western France. He is a famous actor, about to turn fifty. She is a piano teacher in her forties. They were in love fifteen years ago, then separated. Time has passed. They each went their ways and slowly healed. When Mathieu goes try to overcome his melancholia in a thermal spa, he stumbles upon Alice.
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