
The film is set in the 1960s, in a remote provincial town. Ivan is a model worker, a lathe operator at a factory, raising his son Alexei alone. Problems arise in the family: Ivan's beloved wife has a huge debt and faces prison. And Alexei is humiliated by hooligans in front of his beloved girlfriend. His father finds an unusual way out of these situations: he makes a gun himself (so that Leshka can take revenge on the hooligans), then goes with his son to rob a cafe to help Masha cover the shortfall. Gradually, Alexei gets a taste for it; he likes having power over people and commits his first murder. Suddenly, Ivan realizes that he has raised a killer with his own hands.
Directed by Sergei Krutin, To Paris! leans on a strong ensemble — Yuri Stepanov, Yaroslav Zhalnin, Polina Kutepova — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2008.
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The action takes place shortly after the end of the Second World War in the Siberian hinterland, among Russians and Germans with damaged personal stories and a strange transformation: the victors seem to be crawling into the skins of the defeated, and vice versa. Ignat, is the embodiment of the larger-than-life image of the Soviet victorious warrior who, in fact, proves to be shell-shocked, sick and broken, although not completely destroyed. Trains become fetish for the heroes of the film, and speed becomes a mania; they virtually become one with their steam engines, while the machines take on human names. The heroes set up an almost fatal race in the Siberian forest, risking their own lives and those of others.
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