
In the mid-1980s outside this college town, home of the Kansas Jayhawks, punk rock history was being made in the middle of a cornfield. Where the pavement turned to gravel, in a small, primitive cinder block building, bands like Fugazi, the Melvins, Rollins Band, Gwar, the Circle Jerks, Body Count, Social Distortion, Bad Brains, White Zombie, Descendents, Sonic Youth, Green Day, Fishbone, the Meat Puppets, Helmet, and Nirvana played to all-ages crowds, a raucous scene of misfits and anarchists on the margins of youth culture. This was The Outhouse. Small, dark and sometimes dangerous, it quickly gained a reputation as a haven for the bands other venues were afraid of, and the kids who loved them.
Directed by Brad Norman, The Outhouse: The Film 1985-1997 leans on a strong ensemble — Henry Rollins, Keith Morris, Angelo Moore — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about documentary titles of 2017.
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