
Youth criminals Fredriksson and Bergström are taken to the police station on suspicion of robbery and manslaughter. Fredriksson breaks down immediately and he acknowledges his guilt for what he has done. But the police also would like him to admit to something he did not do. Bergström is not possible to crack. He succeeds without difficulty to manipulate his environment and his psychopathic traits becomes even clearer as the hearing progress.
Directed by Lars Engström, Trängningen leans on a strong ensemble — Lennart Lundh, Harry Ahlin, Kent Andersson — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about crime titles of 1962.
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