
Rosina from *The Barber of Seville* is now Countess Almaviva, his wife. However, he is far from being a paragon of virtue. Among others, he is pursuing his wife’s maid, Susanna—who is to marry Figaro, now in the Count’s service—and his gardener’s daughter, Barbarina. He faces competition from the page Cherubino, who is in love with all women and in particular with the Countess, his godmother. Meanwhile, the elderly Marcellina, aided by Doctor Bartolo and the music master Basilio, seeks to prevent the marriage of Susanna and Figaro, as the latter has promised to marry her. ‘The Marriage of Figaro’ (‘Le nozze di Figaro’, K. 492) is a four-act opera buffa by Wolfgang Amadeus Mozart, with an Italian libretto by Lorenzo Da Ponte inspired by Beaumarchais’s comedy, ‘Le Mariage de Figaro’.
Directed by Michael Grandage, François Roussillon, The Marriage of Figaro leans on a strong ensemble — Audun Iversen, Sally Matthews, Vito Priante — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about music titles of 2012.
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