
Lord Cyril Wimborne, a barrister, divorces his wife, Myra, and takes custody of their child, Kenyon, when he finds her name linked with the profligate Major Pollock. Myra goes into seclusion while Pollock, intending to conceal Myra's innocence, goes to Burma. A few years later Myra sees Kenyon in the park with Mrs. Debenham, a widow with designs on Wimborne. Noting the resemblance between the lady in the park (whom he calls his "princess") and a photograph of his mother, Kenyon invites Myra to dinner at a time when his father, who has curtailed the visits to the park, plans to be away. At the same time Harold Courtenay, an old family friend, sees an opportunity to reunite the estranged couple.
Directed by John G. Adolfi, Evidence leans on a strong ensemble — Pauline Frederick, William Courtenay, Conway Tearle — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1929.
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After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Edward Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Rochester's terrible secret be about to destroy it forever?
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