
Play by Peter Ustinov, about a return to the modern world by Beethoven, who knocks on the door of a London music critic. He is fitted with a hearing aid, and l istens in horror to his works. The critic wishes Beethoven to complete his tenth symphony, and one night the piano emits a few notes by itself.
Directed by Jean-Paul Roux, Philippe Rondest, La Dixième de Beethoven leans on a strong ensemble — Jean Desailly, Simone Valère, Bernard Fresson — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1985.
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