
‘My dad saw a monster here. When he was a kid.’ · ‘A monster?’ · ‘Yeah, a monster. It moves between this world and the next.’ Ao lives with his mother and little sister Kii on Sado Island in Japan. He misses his father, who recently disappeared without a trace – although not much is spoken about it. While their mother tries to deal with the loss in her own way, Ao and Kii run across the island and scream at the ocean. In the mysterious Sayoko, who inconspicuously swipes books from the school library, Ao finds a confidant. Few words are needed between the two reticent, dreamy children: together, they at once feel less alone. Against the striking backdrop of an industrialised coastal town, Tetsuya Tomina's poetic film tells a tale of dreams, loss and monsters.
Directed by Tetsuya Tomina, Blue Wind Blows leans on a strong ensemble — Hizuki Tanaka, Yayako Uchida, Tsubaki Tanaka — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2018.
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Young art student Hideo paints an unnerving portrait of Tomie, who whispers that she loves him. Inexplicably, he reacts by stabbing her to death with a painting trowel. Two friends, Takumi and Shunichi, arrive on the scene and help him dispose of the body. To cheer him up, the boys take the unwitting murderer to the nearest bar for a party... but a mysterious girl named Tomie shows up, bearing a few odd physical resemblances to the dead girl in the ground.
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