
Nadia raised, alone, her son Noé in Paris suburbs. She is proud when he is accepted in second in the prestigious high school Henri IV. To promote her studies, she moved to Paris and went into debt to offer what others have. She discovers the pleasure of buying, unknowingly developing an addiction to consumption. Even as her son manages to adapt to his new high school, she can not stop.
Directed by Léa Fazer, Nadia leans on a strong ensemble — Barbara Schulz, Thomas Doret, Arié Elmaleh — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about tv movie titles of 2016.
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While settling his father’s estate, Finn Conrad becomes suspicious as to why the man left a nurse $100,000. His dad knew her for less than two months before he died. Just before Christmas, Finn wants what to reclaim what he considers his family’s money, going undercover to investigate the bed and breakfast the nurse has recently taken over. When Finn meets Willa, he discovers she’s not a conniving gold digger at all, but a woman in need who put the money to good use. When she discovers his true identity, will it keep Willa from ever trusting him again?
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