
The young Loris is undergoing a trial for killing his girlfriend Maria Luce. According to the reconstruction of the facts, the young man would shoot his mistress making it then end up under the wheels of a tram. On the remains of the woman's body, however, there is no trace of a gunshot wound and, during the trial, the accused, who appears hypnotized, refuses to answer. The arrival of the ex-lawyer Cidoni, who takes the place of the defense, overturns the thesis of the prosecution and instead demonstrates that the victim was not a naive girl as had been believed up to then.
Directed by Antonio Leonviola, The Two Truths leans on a strong ensemble — Anna Maria Ferrero, Michel Auclair, Michel Simon — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1951.
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Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for her, he comes of age. But, is there anything he can do that will alter Aida's situation or her prospects?
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