
By a twist of fate, Damjan is mistaken for a murderer who was prowling the streets of Ljubljana in the same neighbourhood. Because of his naive, friendly approach and helpfulness, his wife walks out on him and the police have doubts about his sanity. Is Damjan really losing his memory like his father did before him? And does purity of mind and spirit necessarily lead to a person's downfall? Will Damjan, who is mysteriously attracted and connected to the cinema and who finds himself drawn into a case of mistaken identity (just like in the movies) succeed in setting his life in order in spite of the mix-up and in finding the right companion for himself?
Directed by Boštjan Vrhovec, Someone Else leans on a strong ensemble — Marko Mlačnik, Maja Boh-Hočevar, Emil Cerar — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1989.
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Richard Jewell thinks quick, works fast, and saves hundreds, perhaps thousands, of lives after a domestic terrorist plants several pipe bombs and they explode during a concert, only to be falsely suspected of the crime by sloppy FBI work and sensational media coverage.
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