
Hooters’ is a sexy, fun-filled send up of game shows. The idea is that two couples come on the show and compete for cash and fabulous prizes. So what’s the thrill? Well, they compete by answering questions about sex and by demonstrating their sexual skills for the appreciative crowd. The female contestants on this show seem to have been selected on the basis of their top-heavy figures, as each of them sports some truly enormous up-top assets. The premise is cute enough, and the flick eatures some funny moments. But what the film specializes in is white-hot action. The couples are led through their paces by a host of hot-to-trot temptresses, each one bustier than the last. And once the action get going, there’s no way to stop it until it reaches its inevitable and explosive climax. Buxom beauty Candie Evans is at the peak of her considerable on-screen prowess here, while ebony stunner Ebony Ayes provides more than her fair share of jolting jiggle.
Directed by Chris Monte, Hooters leans on a strong ensemble — Candie Evans, Regine Bardot, Beverly Glen — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1986.
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Cowabunga! The surfing '60s ride into the new wave as Frankie and Annette star in this hip update of their old-time, good-time beach movies. With special appearances by Bob Denver, Tony Dow, Pee-Wee Herman, Jerry Mathers and other familiar faces. Frankie and Annette grow up and have kids in the midwest. They return to LA to visit their daughter who is shacked up with her boyfriend and tries to hide the fact. They begin to have marriage problems when Frankie runs into Connie, who has erected a shrine to him in her night club. Their punk son has joined up with the local surf toughs, and things all come to a head when the toughs challenge the good guys to a surfing duel
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