
Else is the pretty daughter of a Viennese lawyer. The young lady has been invited by her aunt to spend a few days on a summer holiday in San Martino. There she receives an express letter from her mother requesting her to ask the wealthy art dealer Dorsday for a much-needed loan. Her father is facing bankruptcy due to embezzlement. Else approaches Dorsday and describes the difficult family situation. Dorsday is willing to lend the necessary money, but stipulates that Else must expose herself to him naked for a quarter of an hour. Else reacts indignantly to this request, but over the course of the evening realizes the dilemma she faces. Caught between unconditional loyalty to her father and a strong longing for autonomy and self-determined femininity, she cannot commit to either alternative.
Directed by Ernst Hauessermann, Fräulein Else leans on a strong ensemble — Miguel Herz-Kestranek, Curd Jürgens, Marianne Nentwich — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1975.
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