
Jennie, a coquettish housemaid, flirts with the grocer's delivery boy and thereby incites the jealousy of her sweetheart, Frank, the butler. Frank goes to his station in the hall and, in his anger, tells the marble statue that is a part of the furnishings of the handsome home, that his sweetheart is as cold as the stone of which it is made. He quiets down, and as he is not very busy, soon becomes drowsy, and dreams that the statue comes to life and goes with him to a ball. While they are walking along the street, a policeman meets them and questions Frank. He gets frightened, they run and as they rush back into the hall, the statue falls and breaks into a thousand pieces. His sweetheart comes down the steps and wakes him up and tells him to answer the bell. Frank's surprise at seeing the statue whole is plainly shown and his delight that is has all been a dream causes him to make up with his sweetheart.
Directed by —, The Butler and the Maid leans on a strong ensemble — Harry Beaumont, Jeanie Macpherson, Viola Dana — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1912.
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