
You don't play with crocodiles. Two people on a stroll at the end of an night, at the end of the Berlin myth of Prenzlauer Berg: they are sexy, they are young, they are forlorn. It could be a wild summer. There will be two happy days in Berlin. The movie tells the tale of a place, the tale of a love, the tale of longing for a new beginning. More than an extraordinary independent movie, a universal big-city novel which could, without that affectionate local color, take place in every metropolis. Exodus or exitus: 'Tenerife EXIT' plays between and with them both.
Directed by Bernd Heiber, Teneriffa EXIT leans on a strong ensemble — Christian Eckert, Paul Faßnacht, Dietmar Obst — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2011.
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Christian, a reclusive young man from Leipzig, gets a job working the night shift at a big-box store. He's trained to stocks goods and operate a forklift by Bruno, a wistful former truck driver, who introduces Christian to a colorful group of overnight workers, including Marion, with whom Christian develops a troubled infatuation.
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