
In 1827, Berlioz saw Harriet Smithson for the first time, playing Ophelia in a production of Hamlet. Hopelessly smitten, he turned his entire life upside down to meet her. Frantic months turned into years when he suddenly heard rumors about Harriet and another man. Believing himself cured, he wrote a ‘fantastic’ symphony complete with a special theme, the idée fixe, to represent his former obsession.
Directed by Michael Tilson Thomas, Keeping Score - Hector Berlioz Symphonie fantastique leans on a strong ensemble — Michael Tilson Thomas, San Francisco Symphony — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about music titles of 2009.
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