
Alone for the first time and away from her family in rural Philippines, Rosa Dimaano arrives in the cosmopolitan city state of Singapore to work as a maid. Her employers Mr and Mrs Teo runs a Chinese Teochew dialect opera troupe takes well to their new domestic help. So do their mentally disabled son, Ah Soon. In Chinese superstition, the seventh month of the lunar calendar is regarded as the month when the gates of hell open for forsaken spirits to walk the earth for 30 days. Unknown to Rosa, she arrives on the eve and her hell is about to begin.
Directed by Kelvin Tong, The Maid leans on a strong ensemble — Alessandra de Rossi, Hong Huifang, Benny Soh — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about horror titles of 2005.
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Four years after five students mysteriously committed suicide after taking part in a courage test on the ghost bridge in Donghu university, a reporter and a cinematographer are back to that place and try to get everything clear.
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