
The importance of the Atelier as a meeting and working-place for independent or beginning filmmakers is highlighted in Last days of Studio Frans van de Staak a necrology of his films by Kees Hin (2002), which focuses mainly on Van de Staak's non-naturalistic style of directing actors.
Directed by Kees Hin, De laatste dagen van het atelier Frans van de Staak leans on a strong ensemble — Erik de Bruyn, Heddy Honigmann, Rosemarie Blank — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2002.
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