
Based on a play by Pierre Wolff, about a wronged husband’s revenge on his wife and her lover, La belle de nuit is a major find, a work of uninhibited stylistic imagination that ranges from Sirkian stylization (an elaborate play of mirrors and doubles) to brutal realism (a tour of the bordellos of Marseille suggests the contemporary photographs of Brassaï).
Directed by Louis Valray, La Belle de Nuit leans on a strong ensemble — Véra Korène, Aimé Clariond, Jacques Dumesnil — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1934.
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