
Rosalie's door closes roughly. Her boyfriend Jimmy, a street musician, has just decided to break up with her. For an hour and a half, Rosalie will go through all kind of moods and sink into a destructive madness, while recalling the memorable moments of her story. The film is a deconstruction of the romantic comedy genre and its way of portraying love.
Directed by Moussa Djigo, Rosalie leans on a strong ensemble — Isabelle Giroux, Benoît Finley, Raïa Haïdar — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 2018.
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Bailey and Darla embark upon a misguided and mutually deceitful form of therapy, one in which they must drive across the country, re-enacting Darla's colorful history as a sex addict. As their true motivations for the road trip come to light, the unlikely pair force one another to confront their issues, discovering that there might actually be more to love than just sex.
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