
Catholic seminary student Soo-hyeon is having a hard time deciding whether to stay on the road to priesthood or give in to his earthly love for a girl named Sue, whom he has just abandoned even though he still loves her. He takes advantage of a visit to his sick mother to look for Sue, but she refuses him. The persuasive rector reverses Soo-hyeon’s decision to leave the seminary with a proposal that he undergo a catharsis in the monastery. The doubting youngster’s new-found peace is lost however when he sees novice Helena, whose similarity to Sue awakens his defused emotions. The cool tonality of the shots of the Korean countryside and the monastery interiors harmonises perfectly with the aesthetically austere, nonetheless suggestive direction, which mediates the young man’s internal conflict and his fear of making the most important decision of his life. The lead role is played by rising star of Korean film Seo Jang-won, whose acting debut in the film The Unforgiven was shown at last
Directed by Min Byung-hun, Pruning the Grapevine leans on a strong ensemble — Lee Min-jung, Seo Jang-won, Lee Ho-young — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2007.
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Abandoned by her father, a girl adjusts to life in an orphanage.
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