
This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor filmed in close-up on a plain black background. Nedjar "wiggles" his camera, with Gaël Badaud manipulating a green net or a mirror, wearing a gas mask or covering his head with a red-skinned knit like a bloody balaclava, he inaugurates a search for luminous calligraphies that will soon be shared with Teo Hernandez.-- Dominique Noguez.
Directed by Michel Nedjar, Gestuel leans on a strong ensemble — Gaël Badaud — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1978.
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The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
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