
Little Tony does not have a father, but her mother is just an obstacle. The child often stays outside the locked door while the mother has fun with another guest. Tony wanders in the streets or walks to Pipe doll artist's studio. Here the girl is immersed in a fairy-tale world, very different from the one around her. But Fipo has his own life and problems. Tony is not mad at her mother, loves her and wants to live with her. But for neighboring children, Tony is a bad example. Their parents are doing their best to put her in a boarding school without being interested in her opinion. Is this better for the little girl?
Directed by Dimitar Petrov, Tony leans on a strong ensemble — Vanya Bakalova, Lyuben Chatalov, Iskra Radeva — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about family titles of 1991.
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Katy McLaughlin desires to work on her family's mountainside horse ranch, although her father insists she finish boarding school. Katy finds a mustang in the hills near her ranch. The headstrong 16 year old then sets her mind to tame a mustang and prove to her father she can run the ranch. But when tragedy happens, it will take all the love and strength the family can muster to restore hope.
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