
Titus and Berenice love each other; under the watchful eye of Antiochus, the hopeless lover, they try yet refuse to understand each other. Taking up the “majestic sadness” of these alexandrines, among the greatest verses in the French language, Michael Jarrell amplifies the power of words, making them a vehicle for spaces and identities that, from Rome to Jerusalem, are unceasingly questioned.
Directed by Claus Guth, Jarrell: Bérénice leans on a strong ensemble — Barbara Hannigan, Bo Skovhus, Ivan Ludlow — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2018.
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