
François Vidocq has deserted to go back to his wife and kids, so he becomes a thief. Unfortunately, he finds she had become Manon-la-blonde, mistress of a rich man named Ouvrard, and his children have disappeared. He offers his services to the chief of intelligence service and begins a fight against the Aristo, chief of the gang of the children of the sun. After a few years, he dismantles the gang, and finds both his sons. One has become a blackguard, the other a famous organist who is about to be knighted and will soon get married to his beloved.
Directed by Jean Kemm, Vidocq leans on a strong ensemble — René Navarre, Elmire Vautier, Rachel Devirys — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1923.
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Aristocrat Guillaume de Saint Preux leads a double life as a masked bandit known as the Black Tulip. The Black Tulip only robs rich aristocrats, so the local peasants regard him as a hero. Baron La Mouche is convinced Guillaume is the Tulip. During a robbery, he scars the Tulip's face, and hopes to use this to expose Guillaume, but Guillaume is one step ahead.
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