
A poor relative, cousin Bette is cast aside by a wealthy family. Embittered and jealous, she devotes herself to the systematic destruction of those around her. Max de Rieux's adaptation takes the decision to return to the initial meeting of the Hulot couple as if to show the degradation of the pure feelings and sublime aspirations of youth in bloody competition and irresistible perversion in materialist society.
Directed by Max de Rieux, Cousin Bette leans on a strong ensemble — Germaine Rouer, Henri Baudin, Alice Tissot — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1928.
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A woman has a close bond with her beloved Algerian grandfather, who protected her from a toxic home life as a child; his death triggers a deep identity crisis as tensions between her extended family members escalate, revealing new depths of resentment and bitterness.
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