
Cambo, a banker, has been in trouble since a certain Parizot has tried to extort stocks from him. Following the advice of his friend Quincampoix, Cambo decides to trade places with Bardac, a painter, who happens to be his lookalike. Bardac slips into Cambo's shoes with delight although he does not really live up to his task. But Cambo, who manages to ruin Parizot, makes a 100% profit on the situation. There are of course some misunderstandings when one man is mistaken for the other, notably as concerns Lulu and Geneviève, respectively Bardac's and Cambo's sweethearts, but things finally return to their initial state.
Directed by Jacques de Baroncelli, Ce n'est pas moi leans on a strong ensemble — Victor Boucher, Jean Tissier, Ginette Leclerc — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1941.
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Etienne, an often out of work but endearing actor, runs a theater workshop in a prison, where he brings together an unlikely troupe of prisoners to stage Samuel Beckett’s famous play Waiting for Godot. When he is allowed to take the colorful band of convicts on a tour outside of prison, Etienne finally has the chance to thrive.
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