
In a fishing village, Anton Aiya is an exploiter who outwardly resembles and acts like a regular fisherman, but he exploits and feeds off the other fishermen. In this setting, members of the urban entrepreneurial youth. They have adapted to Western culture, dressing like Westerners and preferring Western music. Conflict arises between Anton Aiya and Baby Mahattaya (Victor), a representative of the urban youth. A middle-class leftist, Weerasena, is also part of this group. The arrival of these youths has clearly caused a social crisis requiring a solution, and all Weerasena can do is stand on a platform and deliver a speech that no one listens to. He finally leaves for the city.
Directed by Darmasena Pathiraja, Bambaru Awith leans on a strong ensemble — Vijaya Kumaratunga, Malini Fonseka, Joe Abeywickrama — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1978.
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Hoping that self-employment through gig economy can solve their financial woes, a hard-up delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of modern-day labour exploitation.
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