
Yan, who has just been acquitted of a crime he has not committed, returns to his Flemish village, where he meets hostility, particularly from Franz, the garage owner. Fortunately, Gus, his childhood friend refuses to follow the pack and talks his mother, the richest person in the area, into getting him a job. But Yan is soon drawn to Maria, the sultry girl Gus lives with.
Directed by Ivan Govar, Cross of the Living leans on a strong ensemble — Karlheinz Böhm, Pascale Petit, Giani Esposito — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1962.
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