
Francis Lebovic, an ex-voyou turned sex worker, is not lacking in charm or elegance. David, his thirteen-year-old godson, accepts Francis' proposal to record a record without much enthusiasm. His voice, combined with his physique, gives rise to hope. Francis will be able to pay off his debts; Lino and Daisy, David's parents, will be able to do some work in their café. Everything would be just fine if Frédérique Henriot, a young lawyer, hadn't come to live in the house where they all live, in this village in the center of Paris called the Marais.
Directed by Stéphane Kurc, Chère canaille leans on a strong ensemble — Jean-Pierre Bacri, Véronique Genest, Hervé Berdah — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1989.
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Fiona visits Paris for the first time to assist her myopic Aunt Martha. Catastrophes ensue, mainly involving Dom, a homeless man who has yet to have an emotion or thought he was afraid of expressing.
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