
Lionel Soukaz opens a wooden panel to discover the sky and comes across Italian workers singing. He longs for them and, when they leave in the evening, finds himself alone, watching television. This video mirror sends him back to his own time: Nixon, Giscard. So he dances like a cry for help: "Love me!”. The cross-dressing scenes are like a coming out, revealing the feminine side of the filmmaker at just twenty years of age.
Directed by Lionel Soukaz, Lolo Mégalo blessé en son honneur leans on a strong ensemble — Lionel Soukaz — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1974.
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