
To a non-French speaker, the word La Pagaille looks charming, elegant, even tidy. However, it means "a mess," and a mess is just what the happily divorced Martin gets into when he and his ex-wife Brigitte, the mother of his children, rekindle their long-dormant relationship and announce that they intend to move back in together. Not only do the children find this whole thing confusing, but the husband's and the wife's lovers are equally befuddled. Add to that the need for Martin to meet Brigitte's lover and vice-versa, and you have the beginnings of a mess. When it begins to seem to Brigitte's former lover that he has offended the Muslims with a book he translated and he is slated for death, the whole thing grows yet more complicated. In this comedy, this list only scratches the surface of the messes these people must confront.
Directed by Pascal Thomas, La Pagaille leans on a strong ensemble — Rémy Girard, François Périer, Patrick Chesnais — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1991.
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Beatrice celebrates with her family the release of her book: she tells about the accident of her husband Frederic. He became blind and without filter - always so funny and seductive, he is totally unpredictable. But this book, hymn-to-life, will turn into a joyful fist because if Beatrice changed the names, each of his friends seeks to find his character. The book awakens secret jealousies, while the group of friends and family pitch.
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