Din Don: Una parrocchia in due

Donato, a scoundrel music manager, to escape the two henchmen of a boss who, due to his inefficiency, has caused him to lose a lot of money, taking advantage of a letter from his uncle the bishop, introduces himself to the parish priest of a village church, Don Dino, dressed as a priest, and pretends to have been sent there by the bishop as assistant parish priest. Don Dino's church is always empty. In fact, the town's faithful frequent the new church, run by Don Gabriele, a pimp priest who knows how to deal with people. Donato's arrival initially seems like the final blow for Don Dino's church: Donato doesn't know where to start a mass, he has never confessed or married anyone, the mere idea of ​​performing an extreme unction scares him. Don Dino begins to argue with Donato: he seems anything but a priest. But little by little, Don Donato's extravagant ways, his open-mindedness as a "sinner", his mentality as a rock priest, begin to attract the faithful.

Directed by Claudio Norza, Din Don: Una parrocchia in due leans on a strong ensemble — Enzo Salvi, Maurizio Battista, Andrea Dianetti — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about tv movie titles of 2018.