
A seminary student on monastery holiday kills an old witch in a remote village. The hag then transforms into a beautiful young woman whose dying wish is for him to watch over her wake for three nights. With terrors occurring and his faith waning, he reads prayers on the overnight watch and tries to survive the supernatural encounters.
Directed by Georgi Kropachyov, Konstantin Ershov, Viy leans on a strong ensemble — Leonid Kuravlyov, Natalya Varley, Aleksey Glazyrin — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1967.
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Early 18th century. Cartographer Jonathan Green undertakes a scientific voyage from Europe to the East. Having passed through Transylvania and crossed the Carpathian Mountains, he finds himself in a small village lost in impassible woods. Nothing but chance and heavy fog could bring him to this cursed place. People who live here do not resemble any other people which the traveler saw before that. The villagers, having dug a deep moat to fend themselves from the rest of the world, share a naive belief that they could save themselves from evil, failing to understand that evil has made its nest in their souls and is waiting for an opportunity to gush out upon the world.
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