
23-year-old Vanya Nechkin was a great driver, and a car mechanic from God. He loved life, and women, provided vigorous joke and elegant conversation. He could pretend to be an Italian tenor and a traffic inspector, understood human weaknesses and forgave a lot. But if he saw injustice, he was ready to tear the bastard’s throat out. He came up with a risky trade for himself: he destroyed cars.
Directed by Valentin Mishatkin, Lucky Man leans on a strong ensemble — Evgeniy Lazarev, Elena Safonova, Nikolay Stotskiy — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1988.
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Dovlatov charts six days in the life of a brilliant, ironic writer who saw far beyond the rigid limits of 70s Soviet Russia. Sergei Dovlatov fought to preserve his own talent and decency with poet and writer Joseph Brodsky, while watching his artist friends got crushed by the iron-willed state machinery.
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