
When she is eighteen years old, Carolina shifts out of the apartment of the uncle who raised her. The camera follows her chaotic life over a six-year period, from the welfare office to the psychiatric clinic to a hotel room. Through chance encounters or the enlightenment provided by her reunion with a brother she loved too much, will Carolina find a place for herself in a society not exactly shaped to accommodate her?
Directed by Jean Jonasson, Sans métro fixe leans on a strong ensemble — Emilie de Preissac, Stéphanie Reynaud, Martin Lauda — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 2013.
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Themroc, a bachelor house painter living at home with his mother, leads a sad and colorless life. One day, after a run-in with his boss, he rebels. He wrecks his apartment, rejects every facet of bourgeois life, and begins acting like an urban, modern-day Neanderthal.
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