
A small German village in the south of Brandenburg is preparing for a traditional youth ceremony. Children become adults, which is a cause worth celebrating. The young Kai lives with his father on a farm. They have invited guests for the festive meal planned for the following day. Everything has been arranged and the calf is ready for slaughter. But Kai's father does not want to slaughter or celebrate, he wants his peace. Driven by the fear that everything could go wrong, Kai races through the sleepy village. The afternoon leads him to Lea, a local girl. With her, time takes on a different pace. KAI captures a formative moment in life, where a boy tries to find a way out. From a village, from a family situation and from his own anxieties.
Directed by Friederike Güssefeld, Kai leans on a strong ensemble — Sammy Scheuritzel, Stefan Kolosko, Antonio Wannek — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2016.
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Young teen girl Xiu Xiu is sent away to a remote corner of the Sichuan steppes for manual labor in 1975 (sending young people to there was a part of Cultural Revolution in China). A year later, she agrees to go to even more remote spot with a Tibetan saddle tramp Lao Jin to learn horse herding.
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