
Rossinis penultimate opera, premiered in 1828 at the Opéra National de Paris, is a musical comedy about a love triangle set during the Crusades. At the Opéra Comique its plot is transported to the time of the works creation with Frances military expeditions to Algeria. It is staged by a first-rate creative team: Stage director Denis Podalydès and costume designer Christian Lacroix provide stunning visuals, whilst conductor Louis Langrée leads the Orchestre des Champs-Élysées, the Chur Les éléments and a stellar cast of soloists in this delightful fools game. Mezzo-soprano Gaëlle Arquez shines with her superlative technique (Le Monde) and Julie Fuchss Adèle performance elicits more than just admiration, namely enthusiasm in the etymological sense of the word: inspired by the divine (Le Monde). A masterpiece! (Télérama), Pure pleasure! (Les Échos). Le Comte Ory at the Opéra Comique is a true musical and theatrical celebration where everything sparkles! (Bachtrack)
Directed by —, Rossini: Le Comte Ory leans on a strong ensemble — Gaëlle Arquez, Julie Fuchs, Philippe Talbot — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2019.
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Follow the adventures of Belle, a bright young woman who finds herself in the castle of a prince who's been turned into a mysterious beast. With the help of the castle's enchanted staff, Belle soon learns the most important lesson of all -- that true beauty comes from within.
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