The Lord and the Peasant

In a peasant's cot we find a fair, young maiden who is loved by an honest, true-hearted peasant lad, while yonder stands the manor of Glenwood with its noble lord, who chanced to pass by one fair day and there noble eyes met peasant meekness and love found work a-plenty to do. But maiden thought naught of my lord o' the manor, nor so much as gave him cause to hope that all his castles and lands could win her heart from the true peasant lad who had gone forth in the world to win humble living for his bride to be. It was then that Dame Poverty came knocking at the peasant's door and upon her heels crept a fever which held the young sister close within her breast only waiting for death to knock gently at the humble cot. And still no word from the loved one in a foreign land! Had he deserted his fond-hearted lassie? Weeks passed by and still no word nor sign of the one held most dear, and then my lord of Glenwood Keep came suing for her hand.

Directed by J. Searle Dawley, The Lord and the Peasant leans on a strong ensemble — Augustus Phillips, Miriam Nesbitt — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1912.