
To the protagonist, an intellectual so feverish that he seems pathologically unrecoverable, a confused memory resurfaces of a massacre carried out by the Turks in Otranto. Immersing himself in one of the victims, in the unconscious desire to eviscerate himself, a woman appears to him, Margherita, who, in the guise of Santa Maria d'Otranto, treats him with compassionate love. In the hallucinating succession of memories intertwined with historical events, the protagonist finds himself in contact with his environment, his land, his country.
Directed by Carmelo Bene, Our Lady of the Turks leans on a strong ensemble — Carmelo Bene, Lydia Mancinelli, Salvatore Siniscalchi — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about fantasy titles of 1968.
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