La Clemenza di Tito

This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.

Directed by Felix Breisach, La Clemenza di Tito leans on a strong ensemble — Jonas Kaufmann, Eva Mei, Vesselina Kasarova — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about music titles of 2005.